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1. Bittersweet Symphony: The Verve- Urban Hymns (1997)-Since I don’t have to capitulate to legions of idiots like Rolling Stone or VH1, I can actually choose a song that is actually the most incredible piece of music ever created, and not just a consensus builder. There are two main things that people remember about this band. First, that they got the pants sued off of them by the Rolling Stones (bastards) for their liberal and prominent use of a symphonic recording from “The Last Time.” The next question I always get was ‘are they the ones that sing “Bittersweet Symphony” or “The Freshman”?’ While they ran into a bit of bad luck with their choice of names (Verve Pipe anyone?), they did manage to create this masterpiece. Shockingly, this song is still a favorite of many. Still shocks me that at one time mainstream rock listeners liked good music.
2. Down in a Hole: Alice in Chains- Dirt (1992)-‘Beauty meets desolation’ pretty much nails the sentiment of this classic. As you will see from this list, I have an affection towards dark, depressing music. I can think of few songs that are darker or more depressing than this one. I love the way electric guitar literally cuts to the bone. I’ve always said that Jerry and Layne harmonize as well as anyone in the business. This song is a prime example of that. “Down in a Hole” is a criminally underrated song that kicks the crap out of fellow Dirt standouts “Would?” and “Rooster” (both good songs in their own right).
3. Karma Police: Radiohead- OK Computer (1997)-It used to be my number one song, before this update. “Karma Police” features a prominent, angry bass riff contrasted with Thom’s delicate voice, helping it convey its mixed message. A simple accoustic guitar guitar strums in the background, while a menacingly powerful piano riff truly leads the way, painting the picture that is brilliantly portrayed by the song’s amazing music video. Karma Police is the centerpiece of one of the most meaningful, acclaimed albums ever created. It is also the centerpiece of any good greatest songs list.
4. Neighborhood #1 (Tunnels): Arcade Fire- Funeral (2004)-If this song were a woman, she would be the most gorgeous one in the world. Because quite simply, that is the first word that comes to mind when I think of this song- beautiful. Complete with the incredible lyrics and enough raw emotion to knock you out, it makes for a cathartic listen. The song is wringing with feelings of unrestrained love, innocence, and euphoria. It’s like losing your virginity, falling in love and holding your firstborn at the same time. It is the most gorgeous song in a decade, if not ever.
5. Smells Like Teen Spirit: Nirvana- Nevermind (1991)-If this is not your first visit to the site, you without a doubt are aware of the fact that I’m a grunge fanatic. That said, this is an obligatory choice. Musically it’s not perfect, but it’s pretty damn close. Borrowing generously from the Pixies, Nirvana created this megahit which, for better or for worse, triggered a musical revolution (what are we currently in the 8th wave of post grunge?) big enough to make flannel shirts trendy. The last time a song was this influential you’ve got to go back to “London Calling” or early 60s Beatlemania.
6. Heaven Beside You: Alice in Chains- Alice in Chains (1995)-While their self titled effort was slightly below par for AIC, it did yield this loungy, alt/country jewel. Written and led by Jerry Cantrell, the song’s killer guitarwork and the syrupy, relaxed vocals clearly show that AIC was not a one man group. The group had a great balance- Jerry was always the heaven beside you, while Layne was the hell within. It’s no coincidence that the most prominent appearance that Layne makes on this song is when he croons “hell within.” I cannot think of a more appropriateiate lines for the embattled late singer.
7. NARC: Interpol- Antics (2004)-“NARC” starts of with a droning guitar riff that sounds like something you might hear from Queens of the Stone Age. Throughout the verses, Paul Banks and Daniel Kessler almost try to outdo each other with their brilliance. The former with his dire, gloomy vocals and the latter with his choppy, retro guitar. The song merely gets better as the chorus builds to a towering, tense climax. This song starts good, and then spends the next four minutes, progressively, getting better and better. Also, “NARC” really showcases the excellent vocals from a highly underrated vocalist in Paul Banks.
8. Float On: Modest Mouse- Good News for People who Love Bad News (2004)-Modest Mouse’s accidental (and perhaps unwanted?) plunge into the mainstream, was destined to be a success. Simply put, there is no better song to listen to after having a bad day. It always makes you put things into perspective and realize that, in the grand scheme of things, whatever it is that you’re bitching about really doesn’t matter. Brock spruces up his trademark wry humor, distinct vocals, with a trippy psychadelic guitar to create this diamond in the rough. While “Float on” was quite a fitting name for the song, to me, “who gives a fuck” always seemed more appropriate.
9. No Excuses: Alice in Chains- Jar of Flies (1994)-If this list were purely determined by how much I personally like a song, this one would almost certainly be number one. Indeed, it spent about a year at the top of my greatest songs list. The song’s atmosphere conveys its defeated, guilty-as-charged message as well as its brilliant lyrics. Layne and Jerry’s seemless, melodic harmonizing is the primary architect of the amazing atmosphere, while the part acoustic part electric guitar attack elevates it into a masterpiece. There’s no song I come back to more often than this beauty.
10. Slow Hands: Interpol- Antics (2004)-Most Interpol fans scoff at this song because of its mainstream appeal, but there’s just no denying its greatness. This is probably the least accurate introduction to Interpol possible, but a highly recommended one nonetheless. Perhaps I like it because it is one of the only upbeat songs in their catalogue. Carlos and Daniel’s guitar-play here makes you ask why these guys aren’t being copied more these days. However, the gravity of this exceptional album and its predeccessor is slowly setting in, with recent releases by Editors, Elefant, and She Wants Revenge all borrowing generously from Interpol.
11. Jesus Christ Pose: Soundgarden- Badmotorfinger (1991)-Although Superunknown is the better album, no song off that record comes even close to matching this one. For some reason the imagery that this song conjures is that of helicopter blades tearing into human flesh. That is the raw ferocity that this relentlessly heavy song creates. No song mentioned thus far comes close to the technical proficiency exhibited by Kim Thayil, Matt Cameron, and Ben Shepherd on this song. I also love that this song voices its annoyance at the histrionics of Axl Rose, someone I can’t stand.
12. One Headlight: The Wallflowers- Bringing Down the Horse (1996)-Did you know that the lead singer is Bob Dylan’s dad? People honestly ask this question believing that everyone in the world doesn’t already know this. You can certainly see elements of daddy’s influence in Jakob’s charming musical formula. Also, you can understand why it was tough for Bob’s son to ever live up to his immense expectations. The Wallflowers strung together a number of very good songs and solid albums, but this was their lone unforgettable classic.
13. Bullet With Butterfly Wings: Smashing Pumpkins- Mellon Collie…(1995)-Very similar to “Jesus Christ Pose” this song anchors an album which is not the Pumpkins’ greatest (that would hands down be Siamese Dream). The song does however incorporate the wall of sound that made Siamese Dream so great, while sprucing it up with a bit more raw energy and intensity. This song actually debuted as my number one song on the first incarnation of The Rock Czar’s greatest songs list. Now, it seems like a top twenty spot is a bit more appropriate.
14. Nutshell: Alice in Chains- Jar of Flies (1994)-By now I assume there is a fair amount of anger and/or frustration with my choices. But I promise, only six more Alice in Chains songs to go. What good is a top 100 songs list if you have to trim incredible songs just because the band that sings them is that good? Anyways, both the album and (especially) the live version of this song are incredible. It took me longer to take to this song than most other AIC mainstays in my top 100. The reason is that you have to get in touch with the soul of the band before you can fully appreciate this song.
15. Lithium: Nirvana- Nevermind (1991)-Usually songs whose main attribute is that they just plain rock hard tend to wear out their welcome with me. After years of religious listening, I am quite confident that won’t be the case with this one. This is the second of four songs from Nevermind in my top 50 and the most infectious. Perhaps the only thing keeping this one out of the top ten is the fact that my friend (who has terrible taste in music) likes this song. In a way, it’s like doing a hot girl who’s been with your friend. However, at number 14, it appears as though I swallowed my pride a little and went for sloppy seconds.
16. 1979: Smashing Pumpkins- Mellon Collie… (1995)-Though I am no longer of an age where I can directly relate to the theme of this song, I still freakin’ love it. Now, however, it gives me a feeling of nostalgia and takes me back to the endeavors of my long lost teen years (which were all of 3 years ago). It also makes me sad that they were not quite as crazy as the events seen in the song’s video. As a whole, the song sounds like it is the result of Billy Corgan’s one night stand with a new wave band. Who knew that Corgan’s spawn could be that aesthetically pleasing.
17. Paranoid Android: Radiohead- OK Computer (1997)-As my affinity towards longer, more grandoise songs grows, this song rises higher and higher on my lists. This saga presumably deals with Marvin the paranoid android from The Hitchhiker’s Guide to the Galaxy, and is another example of why OK Computer will forever live on as one of the greatest albums ever. Although Radiohead took an important step with “In Rainbows” it looks like they may never recreate the magic of OK Computer. To those of us who miss Radiohead rocking out, take solace in the amazing guitar solo at the end of the song.
18. Island in the Sun: Weezer- Weezer (Green Album) (2001)-Call it an anomaly, but this song is pretty damn good. Even a lot of people who hate Weezer love this infectious song. Coming off what I refer to as the ‘Autistic Album’ (because it contains 2 incredible songs amidst 8 very mundance songs), the guitar riff is borderline genius, the vocals are pleasant, and the music actually isn’t targeted at 16 year olds (take that Beverly Hills). It’s songs like this that bought Weezer the large amount of goodwill that they are currently burning through faster than a Hummer burns gas.
19. I Stay Away: Alice in Chains- Jar of Flies (1994)-This is very unusual song for the band and shows how they have incorporated their penchant for softer, melodic rock with their heavy metal background. The wailing vocals are textbook Alice in Chains, but there’s much more going in here than in most of their songs. Like much of Jar of Flies the song incorporates electric and accoustic guitar seemlessly. Then, to put the icing on the cake, AIC busts out a full orchestra (honestly, who doesn’t like an orchestra in a rock song) to create a truly epic sound.
20. Otherside: Red Hot Chili Peppers- Californication (1999)-This song used to be a mainstay in my top ten, however over the years it has fallen a bit, while “Californication” keeps on getting better. Still, even if by only a hair, this is my favorite song on this impressive album. My one complaint is that I feel like this song would feel more at home on the heavily melodic By The Way album. Either way, Flea provides an innovative, bottom heavy bass line, and Kiedis’s continues his vocal and lyrical growth with this melodic discussion about death.
21. Losing my Religion: R.E.M.- Out of Time (1991)-Possibly the epitome of a melancholy song, “Losing my Religion” features the most beautiful mandolin strumming I have ever heard. Adding to the mix are the beautiful strings and pained vocals from Michael Stipe. Personally I find it a much better song about loss than the annoying “Everybody Hurts.” I always thought that this was Stipe’s first indication that he was gay, although everyone has their own ideas about what this song is about.
22. Everlong: Foo Fighters- The Coulour and the Shape (1997)-I have only recently come to terms with the fact that the Foo Fighters are boring. While they are probably the best mainstream rock band around,they take the words ‘signature sound’ a bit too far. Basically, if you have heard their dozen hit singles you need not listen to the rest of their catalogue, because it is watered down versions of those songs. This song is the band’s one curveball. “Everlong” starts with a terrific, distinct intro and blossoms into the best song Dave Grohl has been involved in since… uh Lithium I guess?
23. Evil: Interpol- Antics (2004)-I think the reason why Antics is so good is because Interpol stopped channeling Joy Division so intently and got in touch with their poppier, slightly (and I do mean only slightly) less gloomy side. While still dealing with a grim subject – death - Interpol do so more stylishly than in the past. Paul Banks continues his growth as a vocalist, while moving at least a couple steps away from Ian Curtis. “Evil” is more accessible than anything on TOTBL and features one of the catchiest choruses of the past five years.
24. Come As You Are: Nirvana- Nevermind (1991)-Yes, Krist Novoselic actually contributed a bit to Nirvana. The lanky bassist had perhaps his best moment as a member of Nirvana in this song, spearheading one of the best bass lines ever. The tone of the bass in this song is genius, sounding distant and muffled, almost as if Novoselic is playing submerged underwater. Cobain adds amazing, heartfelt lyrics (like always) and quite tolerable vocals to this love song. Too bad Kurt’s chorus of “I don’t have a gun” turned out not too be true.
25. Wonderwall: Oasis- (What’s the Story) Morning Glory (1995)-This could be the most overplayed song ever. Yet, testament to its greatness is the fact that even after 2,000 listens I still love it as much as I did when it first came out. Yes, legions of douchebags and 16 year old girls are obsessed with it, but it’s ok, because it’s that good. The beauty, tenderness, and authenticity the Gallaghers reach in this one is shocking, considering that they are huge dickheads in general. None of their later material reached the magnitude of this record, and none of their subsequent songs even came close.
26. The Way: Fastball- All the Pain Money can Buy (1998)-Maybe it was the otherwise dismal year of music that makes this song stand out so prominently in my memory. I started out liking this song, a year later I loved it, and through the years it has slowly but surely made its way into my top 50. I love the retro sound, the message of escapism and love, and the unpretentiousness of this song. I even like its overdone pop-culture sound byte intro. It may be a simple, somewhat corny song with a pretty standard chord progression, but I just connect perfectly with the emotion it conveys.
27. Rotten Apple: Alice in Chains- Jar of Flies (1994)-With the exception of the annoying “Swing on this,” I could easily make a case for putting the entire Jar of Flies album in my top 100. Since I don’t want to have my email address bombarded with hundreds of hate messages, I will restrain myself. Six plus minutes of utter desolation from the boys from Seattle on this one. I cannot think of any songs that even resemble the forsaken atmosphere and mood of this one. The croaking guitar and Layne’s haunted vocals set the stage for an almost minute long, psychadelic guitar solo at the end.
28. Creep: Stone Temple Pilots- Core (1992)-Yes, this is the best of the many songs called ‘Creep.’ A calm, down tempo anomaly in the super-charged testosterone fest that was Core, this represents the finest of STPs many musical contributions. I love the plodding, deliberate, almost sexy progression of “Creep.” Weiland contributes restrained, hushed lyrics of lament over his drug addiction. I’ve been listening to this song nonstop since I found out that STP has gotten back together. I cannot wait to see them this August!
29. Cherub Rock: Smashing Pumpkins- Siamese Dream (1993)-Maybe the part of Weezer’s revolting single “Beverly Hills” that I hated most is the fact that it ripped off the distinct drum roll intro of this song. Now when I hear that drum intro on the radio, I have to delay my euphoria and make sure that it is indeed “Cherub Rock”. Otherwise, I angrily change the radio station and mutter to myself about how much rock radio sucks. This song was not always a favorite, but being the best song on Siamese Dream speaks for itself.
30. Pain: Jimmy Eat World- Futures (2004)-“Pain” is yet another exemplar of the incredible class of 2004. It’s sort of out of left field, because it’s not at all representative of most of Jimmy Eat World’s stuff, nor the other songs on this list (which tend to be grunge, alternative, and indie favorites). It is quite a simple song with an obvious meaning relating to drug use. The selling points are the unique intro, surprisingly good guitar solo, inventive drumming, and a killer chorus which managed to stay in my head for weeks without becoming bothersome.
31. In Bloom: Nirvana- Nevermind (1991)-I alternate daily as to whether I like this song or “Heart Shaped Box” more. On school days (such as today), I usually lean towards “In Bloom” because I have to deal with the countless douchebags on campus and can totally see how Kurt felt. “In Bloom” lambastes Nirvana’s unwanted fans with a headbanging, disgusted chorus. Dave Grohl also really shines in this one with prominent, punishing drumming. If only Kurt could’ve gotten his hands on the legions of dumbass frat boy fans of the band, Nirvana’s legacy would be even stronger today.
32. King of Carrot Flowers: Neutral Milk Hotel- In the Aeroplane over the Sea (1998)-We all know that the album is one of the elite releases of the past 20 years; up there with all time greats Daydream Nation, Slanted and Enchanted, and Doolittle. This song may not be the flashiest or most meaningful song from this customarily lauded album, but boy does it strike a chord. It may just be me, because I don’t often see this song on many ‘best of’ lists but I think this song is sweet, innocent, and nearly perfect. While I may not agree that this album is the best thing since sliced bread, this song is close.
33. Take me out: Franz Ferdinand- Franz Ferdinand (2004)-Another song that spent a good amount of time in my all time top ten after I listened to it about 600 times in ’04. “Take me out” starts out with about a minute of ultra catchy new wave revival but really hits its stride as it morphs into all out indie-disco bliss for the next three minutes. Besides, you’ve gotta respect a band for incorporating arcane history into its music and making the Austrian Archduke look cool. Unfortunately, their mediocre second album hints that the band will never again reach this echelon of music.
34. Heart Shaped Box: Nirvana- In Utero (1993)-For any other band, a song this good would have to be their best. For Nirvana, it barely makes the top five. Nevertheless, this song helps me do something I thought to be impossible- it helps me hate Courtney Love even more than I already do. The chorus is classic Nirvana: hard and angry yet reasonably so (unlike the many bands that rouse anger for absolutely no reason). “Heart Shaped Box” features some of the most amazingly ambiguous lyrics ever, and there are scores of different explanations about the song’s meaning.
35. Honest Mistake: The Bravery- The Bravery (2005)-Now that he’s officially made it, you have to wonder how much Sam Endicott regrets his participation in the infamous Skabba the Hut outfit he once fronted. Either way, to enjoy the Bravery you have to suspend your avant garde tendencies and lrical expectations. If you fail, Endicott’s childish banter and faux Robert Smith impression will leave you scathing. However, if you leave your cynisim at the door, The Bravery’s wildly catchy synth-rock will blow you away. At their peak these guys rival their much loathed rivals- The Killers.
36. Megalomaniac: Incubus- A Crow Left of the Murder (2004)-I guess I’m somewhat of an unusual Incubus fan. I don’t really like S.C.I.E.N.C.E, Make Yourself, or Morning View and I hate any song that Brandon Boyd raps on. However on their last two albums they really showed some flashes of brilliance with awesome songs like “Talk Show on Mute,” “Dig,” “Love Hurts,” and of course this song. “Megalomaniac” may have an overdone message about ills of dictatorship and egoism but damn it hammers home its point fashionably.
37. The Man who Sold the World: Nirvana- MTV Unplugged in New York (1994)-Saying that it’s the best cover of all time doesn’t even come close to paying homage to this song. Easily more touching than the overrated “All Apologies,” sometimes it seems like David Bowie had a prophecy about three year old Kurt Cobain while writing this song in Beckenham in 1970. There was no more appropriate song for Kurt to perform in his last days. Nearly 15 years after its release it is as meaningful, powerful, and evocative as it was in 1994. At least we can thank MTV for something…
38. Where is my Mind?: Pixies- Surfer Rosa (1988)-Taking a rare timeout from the raw ferocity of Surfer Rosa, the Pixies created this haunting, pensive classic about… scuba diving? Therein lies the greatness of the Pixies, no other band made such masterpieces out of the mundane. While Surfer Rosa is my least favorite Pixies album, I will always respect it for turning out this masterpiece. It is really Joey Santiago that makes this song so memorable, as he turns in one of his best guitar performaces (and there are many to choose from). Also, is it totally blasphemous to believe its inclusion in Fight Club helped elevate it into greatness?
39. Californication: Red Hot Chili Peppers- Californication (1999)-Interestingly enough I paid almost no attention to this song the first few times I heard it. I remember foolishly telling friends that I can’t see how anyone could like it. It took dozens of listens to reveal its true beauty. I remember driving in my car four or five years ago and suddenly realizing that I adore this song. Aren’t those moments awesome? “Californication” is just one of those songs that justifies itself with time and resonates so well in our crazyass world.
40. Hysteria: Muse- Absolution (2003)-It does sound a lot like Time is Running out, but that’s not at all a bad thing. “Hysteria” is a badass, towering epic that shredded its way onto the UK and US charts. Taking everything that’s awesome about Muse (well, except maybe, Bellamy’s fantastic piano playing) - Bellamy’s soulful singing, multi-faceted guitarwork, generous synthesizers, and active drumming – and turning the dial WAY up. When I look back on selling my Muse tickets to a friend in 2004 (before I really liked the band) it makes me suicidal.
41. Hash Pipe: Weezer- Green Album (2001)-Kind of a guilty pleasure from Weezer’s sucky Green Album. I could go on for a while about why I shouldn’t like this song; what with its elementary guitar riff that a four year old could play to it’s fake grunts and drug use message (which is not only cliché but also not at all fitting of Weezer’s geeky image). Also, this song was the start of Weezer’s newfangled ‘I’m cool’ attitude which eventually brought us the horror that was “Beverly Hills.” All that said, there are just some songs where you have to give your brain a much needed rest and mindlessly enjoy.
42. Plush: Stone Temple Pilots- Core (1992)-I hate when people talk shit about STP. They produced two monumental albums in Core and Purple, and a ton of great songs over the years, so why can’t they get just a little credit. Yes, Weiland sounds like Eddie Vedder, yet his voice is also a lot more pleasant and versatile. The disturbing lyrics on “Plush” apparently deal with a rape that Weiland read about. The subject matter definitely evokes the Pixies while the riff channels the best of Black Sabbath. Characteristically of STP, however, the song remains distinctly their own.
43. Ænima: Tool- Ænima (1996)-Another enraged masterpiece; Keenan preaches about how America needed a disaster such as a biblical-sized flood in LA to reassess our evil ways (creepy, in light of 9/11). The song remains quite relevant to this very day, all the way down to his criticism of Scientology and guns, which we are seeing more of today. Technically, this is Tool after all, so it’s assumed that the music is tight, complex, and melodic. My favorite part of the song starts around 4:15 when Keenan begins to fuck everything to hell.
44. Grind: Alice in Chains- Alice in Chains (1995)-Led by a pummeling, simple guitar riff and a shockingly blissful chorus, I cannot think of a more aptly named song. “Grind” pounds its way through nearly three minutes of metal before going into an awesome 30 second solo that fondly recalls their spectacular Dirt album. A hint at the heavier direction that AIC was going towards until their untimely demise. This song was somehow mostly ignored by mainstream audiences but it’s a favorite of many an AIC fan.
45. Soft Rock Star: Metric- Grow up and Blow Away (2007)-I don’t understand how this song didn’t make it onto a single, major year end best songs list? I think a lot of people were embarrassed to put a song named “Soft Rock Star” on their lists. Fortunately I have no shame. I can unabashedly admit that it was easily last year’s best. This song combines everything that I love about Metric- Emily Haines’ gorgeous, girly vocals, a criminally catchy guitar, and gorgeous atmospherics. I am pissing my pants waiting for their fourth album in June.
46. On Top: The Killers- Hot Fuss (2004)-The secret’s out, the Rock Czar loves the Killers… I do so knowing full well that Brandon Flowers is a pompous asshole. That said, my adoration with them will end if their next album is as bad as Sam’s Town. Flowers needs to realize that he isn’t Bruce Springsteen and stick with the band’s strengths. I choose “On Top” over other deserving songs on the album because it aptly represents the cheeky, retro, synth heavy glory of this album. Note to the Killers- swallow your pride and completely recreate Hot Fuss on your next release!
47. Brain Stew: Green Day- Insomniac (1995)-There are few more distinct riffs than the punding, sparse one on “Brain Stew” (even after it was blatantly pilfered by Papa Roach on “Last Resort”). “Brain Stew” was always playing while I was having a good time as a kid, and still makes me smile. It pisses me off to no end that 90s Green Day is always remembered by overrated songs from Dookie like the obnoxious “Basket Case.” While Warning is my album of choice from Green Day’s catalogue, they have no song that even comes remotely close to this one.
48. Time is Running out: Muse- Absolution (2003)-Getting the (Radiohead) monkey off their backs with the incredible Origin of Symmetry in 2001, Muse settled down to create another great album that features four of their best songs (this one, “Hysteria,” “Blackout,” and “Stockholm Syndrome”) in Absolution. This anthemic, sexy single has the notable distinction of introducing me to Muse (and thank god). While it is missing Matt Bellamy’s fantastic piano playing, Bellamy’s sneering, operatic vocals and some punishing drumwork more than make up for it.
49. Mr. Jones: Counting Crows- August and Everything After (1993)-This just might be the most appropriate representation of what the 90s were all about. “Mr. Jones” is a fun, catchy, alternative rock song about a girl, sung by a Jewish dude with dreads. I just don’t think it can get anymore classic than that. The 90s were a happy, go-lucky decade full of prosperity and relative harmony in the world. A song that so perfectly evokes that spirit gets high marks in my book. “Mr. Jones” marks a rare happy song on my mainly morose top 100 list so enjoy it while it lasts.
50. Brother Down: Sam Roberts- We were Born on a Flame (2004)-Everyone in America gives Canada a lot of shit. However the hordes of talented indie rock bands and singers like Sam Roberts show that we can make fun of their accents but we cannot make fun of their music. The catchy beat, bouncy guitar, and lighthearted feel of the song disguise a very serious messages dealing with poverty, government, and life in general. The message is very meaningful, but it’s really the flirtatious, frolicking guitar and tranquile vocals that catapult this song into an all time favorite.
51. Paralyzed: Rock Kills Kid- Are you Nervous? (2006)-Jumping on the dance rock bandwagon was certainly a good idea for Rock Kills Kid. While it doesn’t explore any new areas, this is probably the most insanely addictive song of the past couple years. It pretty much rocketed its way into my top 100 songs after a dozen listens and has proven to be remarkably resilient since then. So what if they closely resemble bands like Franz Ferdinand, U2, and the Cure? You listen to this song four or five times and I can guarantee that you will fall in love
52. Personal Jesus: Depeche Mode- Violator (1990)-My introduction to Depeche Mode has always stayed my favorite. It kind of upsets me that I like this song because I hate songs with blatantly religious messages, but I can’t help it. Depeche Mode is known for shoving their religion down everyone’s throat, but at least they do it in style, unlike most Christian Rock bands. The strength of this song, “Enjoy the Silence,” “Policy of Truth,” and “World in my Eyes” make this by far my favorite Depeche Mode album.
53. Under the Bridge: Red Hot Chili Peppers- Blood, Sugar Sex Magik (1991)-Honestly, do you know anyone that doesn’t like this song? Freaky Styley and Mother’s Milk may have given them a sizeable underground following, but this song introduced millions to RHCP. It always puts me in a tranquile, pensive mood, but I never found it overly depressing like some people do. Most people my age will fondly recall the day when they found out that he was singing about doing heroin. “Take me to the place I love, take me all the way…” how the hell did it take me so long?
54. Bound for the Floor: Local H- As Good as Dead (1996)-Years after it came out, I remember spending weeks trying to recall the name of this song. Ya, that was before you could google any question that the brain produces and instantly find an answer. At worst, it can be credited with teaching many a head banger about the meaning of the word ‘copacetic.’ At best it can be called the best riff of the 90s. My personal beliefs are more towards the latter comment. It’s too bad audiences didn’t take a second look at this talented band.
55. First of the Gang to Die: Morrissey- You are the Quarry (2004)-I must say, unlike many people I’m not the biggest fan of the highly esteemed Smiths, nor am I particularly enamored with Morrissey’s solo work. This song, however, always fills me with a lot of emotion. I downloaded this song on a whim about three years ago and Morrissey’s lyrics are very appropriate in it- “You have never been in love” until you listen to this song. It is socially relevant, dealing with gang culture among young American Latinos (I think he highlights LA in particular). Just listen to that emotional, retro guitar!
56. Go With the Flow: Queens of the Stone Age- Songs for the Deaf (2002)-I remember thinking in 2002 that there just aren’t songs like this being made anymore. Today it’s only gotten worse, with even worse, hollow crap all over the radio. There’s a ton going on in this song. From the unyielding piano riff, to the trademark Queens guitar, to the cool as ice vocals of Josh Homme. Homme’s vocals are quite underrated, even if they are slightly borrowed from his friend and frequent QOTSA contributer Mark Lanegan.
57. Gouge Away: Pixies- Doolittle (1989)-Surprisingly this was the first Pixies song I fell in love with, back in a day (so embarrassing) when I claimed not too like the band. I’m surprised this song isn’t mentioned more often as one of the Pixies greatest. It’s way better than songs that are considered to be their best like “Debaser,” “Gigantic,” or “Dig for Fire.” It channels the Pixies ferocity without being a bit ragged and unrefined like some of their material. “Gouge Away” may be the best album closer ever.
58. Smile Like you Mean it: The Killers- Hot Fuss (2004)-I used to have six songs from Hot Fuss in my top 100 songs… I stubbornly cut it down by a few to increase variety and I guess for fear of getting stoned worse than a cheating Saudi Arabian woman by Killers haters (I hate you all). It would take a waterboarding session administetered by Dick Cheney (Satan) himself to force me to crop this song from any list. Not initially one of my favorites from the album, it’s warm, nostalgic synths have REALLY grown on me over the years.
59. Touch, Peel, and Stand: Days of the New- Days of the New (1997)-In many ways Days of the New are like the STP of the late 90s. They started off being labeled a bandwagon band but then went on to have a solid career that was showcased by tremendous growth. So they had a borderline obsession with an EP by Alice in Chains. That EP (Jar of Flies) just happened one of the best albums ever created, and that justifies their reasoning. I love the bottom heavy, dense sound on this song, and yes I even like the painfully borrowed vocals. Can’t wait for the reunion album this year.
60. Your Woman: White Town- Women in Technology (1997)-Man, another classic 90s one hit wonder. Obviously the highlights of this song are the quirky synthesizers and especially the retro sounding oboe sampled from a trumpet line from Al Bowlly’s “My Woman,” (a little bit ironic?). Oddly, the oboe sounds like a mix of the “Last Post” (that bugle song played at military funerals) and Darth Vader’s theme from Star Wars. Either way, coupled with Jyoti Mishra interesting vocals, somehow it’s an unlikely recipe for success.
61. Man in the Box: Alice in Chains- Facelift (1990)This most beloved Alice in Chains song of many a casual fan is only good enough to earn a #8 spot on my AIC list. Still that nearly earns them a top 50 spot on my all time list. It’s the trademark, metal song by the band, and the cornerstone of a very solid album. Another textbook Layne Staley song about his persistant drug problem. I features brilliant imagery and entrapped, suffering lyrics. Staley wails away while Cantrell fills in powerful riffing in one of his finest performances.
62. I Miss You: Blink-182- Blink-182 (2003)Man could it be more embarrassing? I fell in this love song while thinking about my girlfriend while she was on a long trip in California (cliché, I know). I like to think that I have pretty decent taste in music, but we all have our guilty pleasures. I don’t know how a band that wrote songs called “Dick Lips” and created an album called Enema of the State could create such a genuine, heartfelt song without feeling contrived. In fact, I’m actually a fan of the entire album.
63. No Shelter: Rage Against the Machine- Godzilla Soundtrack (1998)-In Europe and Australia, audiences were lucky enough for this track to be added onto copies of The Battle of Los Angeles. Somehow, in the States, it was relegated to the mediocre Godzilla Soundtrack. On “No Shelter” Rage serves up a scathing assault against America’s parasitical role in proliferating global poverty. Tom Morello dishes out a large dose of his usual apeshit guitar attack while Zach de la Rocha spews vocals that leave us wondering about what the hell happened to him since Rage broke up.
64. All the Small Things: Blink-182- Enema of the State (1999)-My excuse? I was in middle school when this song came out. I guess I never grew out of it. I can clearly remember a day when I thought this song, and Blink-182 in general, were the coolest things in the world- it was during a rockin’ middle school party (notice the sarcasm oozing out of this statement). This song is so damn catchy that I have ceased to even call it a guilty pleasure, and will openly attest to loving it. You all know you like this song, so shut up.
65. Dumb: Nirvana- In Utero (1993)-Kurt moans “I’m not like them, but I can pretend” over a brooding, moody bassline as the song begins. Eventually some somber strings fill in to create some starkly dark imagery. I honestly think this is Nirvana’s most depressing song. The song brings about that crushing feeling you get in your stomach at night when you think about death. To me, it’s the ultimate anthem of settling for mediocrity in life, not by choice, but because you are surrounded by it.
66. Would?: Alice in Chains- Dirt (1992)-This song has puzzled fans for years with respect to its ambiguous lyrics. I maintain it’s about drug use (wouldn’t be a bad guess considering its AIC). “Would?” starts off with an ominous, seething intro of distinct drum work and a chugging bass, and then launches into a nonstop, thrashing guitar attack accentuated by Layne’s roaring, towering vocals. “Would?” is an incredibly well produced songs that makes for a very engrossing listen which feels much longer than it’s 3.28 run length.
67. Lucky: Radiohead- OK Computer (1997)- This is Radiohead in their element, barren, atmospheric, and NON-ELECTONIC. I’ve come to almost fear Johnny Greenwood’s guitar during the chorus. It has a way of just slicing through your skin and reaching your bones. Paralyzingly depressing is about as well as I can describe “Lucky.” I like to think that its name isn’t entirely ironic, because, after all, we are lucky to have it. One question that always springs into my mind is how you go from Pablo Honey to OK Computer in four years??
68. Jenny was a Friend: The Killers- Hot Fuss (2004)-Lifting off with a helicopter-like intro à la Oasis on “Morning Glory,” “Jenny was a Friend” kicks off the unbelievable Hot Fuss album in style. This song makes psychopathic murder sound downright classy and fun. Grandiose and flamboyant as you would expect from the Killers, I remember hearing this song for the first time and immediately realizing that I was going to fall in love with The Killers by the time the album finished
69. Imagine: John Lennon- Imagine (1971)-Apparently I do listen to per-1990 music! If you read the message board below, you will see that I take a ton of heat for having really little classic rock on this list. If any classic rock was as good as this song, that would certainly not be the case. Much of the way I rate music is by assessing the amount of emotion a song instills in me. “Imagine” wrings out every drop of emotion possible from such a simplistic song. Not only because I totally agree with John Lennon’s message but because we are getting further from it each day.
70. Dashboard: Modest Mouse- We were Dead Before the Ship even Sank (2007)-Who cares if it’s a little bit more commercial than their past work. Modest Mouse show that they do have quite a bit of pop sensibility, though they have gone to lengths to hide it. There is just a ton of things that Modest Mouse just nails spot on in this track. Brock’s vocals, while being less off-kilter are incredibly good. Also, a prominent horn and strings add depth and emotion. And then there’s the rock solid performance of a little known guitarist named Johnny Marr, who joined the band to produce the record.
71. You Ought to Know: Alanis Morissette- Jagged Little Pill (1995)-You get the feeling that the guy that inspired this song may have found a comfortable resting spot at the bottom of a lake. Musically, it hits as hard as its lyrics may suggest. Flea’s funky bass takes a flirtacious, irritated lead in between the choruses, Dave Navarro’s guitar sizzles and writhes, and Taylor Hawkins’ drums provide a simple, angsty backdrop for Alanis to tear through with her howls. It is a rare that a rock song feels just as comfortable as the life of a party as it does on a pair of headphones.
72. Pace is the Trick: Interpol- Our Love to Admire (2007)-2007 may be remembered as the year that critics fucked up. Yet another masterpiece ignored by the media. The centerpiece of the tense, sardonic OLTA is “Pace is the Trick,” a sweeping drama about a man coping with his love-wrecking libido. Paul recounts his tendency to suppress the pain of lost love by fucking just about any horny groupy he can get his hands on. It is rarely that a song hits this hard will staying so seemingly restrained throughout. Definitely Interpol at their uptight, bitter, and hard hitting best.
73. All I want: Toad the Wet Sprocket- Fear (1991)-A seminal member of the early alternative rock era, this could perhaps be the most sentimental and nostalgic sounding song of all time. In that, it’s always reminded of another beloved song, REM’s “Losing my Religion.” It instills a strong feeling of reconnecting with nature; exploring the strong link between mind, love and nature.Yes, Toad the Wet Sprocket can be a bit sappy at times, but if you buy into this song, it will inspire emotion even in the most unflappable among us.
74. Dirt: Alice in Chains- Dirt (1992)-The title track of epic albums always has a lot of expectation on it. “Dirt” lives up to any possible expectations and then some. “Dirt” is the type of song that parents hope their children don’t listen to. The song deals with Layne’s frustration at his many failed attempts to come clean. The message is hammered home by deranged, livid vocals and razor sharp guitars which conjure thoughts of a chainsaw. Being the best guitar track on one of the best, guitar driven albums deserves much props.
75. December: Collective Soul- Collective Soul (1995)-They never did quite reach the A-list of 90s rock, however songs like “Run,” “Compliment,” and “Shine,” make a strong case for at least B+ status. Thank god (you know Collective Soul would) they didn’t taint all of their songs with their often creepy Jesus lyrics (in fact some people still maintain this song is about a BJ). “December” is memorable for its warm guitars, dramatic strings, and a minute and a half finish that just floors me every time. Bottom line is that if you liked 90s alt. rock you love this song.
76. Pioneer to the Falls: Interpol- Our Love to Admire (2007)-Definitely the most unique song of 2007. Had “Pioneer” been released a decade earlier it would’ve made the perfect song for an X-Files episode, with it’s gloomy, dense atmosphere. A great opener for OLTA, it introduces the audience to the diverse emotions of the album, feeling simultaneously sardonic, creepy, funny and yet somehow very profound. “Pace is the Trick” may be instantly gratifying, but this song is a sleeper that just keeps getting better.
77. Frozen: Madonna- Ray of Light (1998)-Every good ‘best of’ list should have at least one song that makes your audience say “what the fuck?” Obviously this is the one. Yes, I like Madonna way more than the average rocker; but out of all of her classics, this song stands head and shoulders above all the rest. This is one of the saddest songs I routinely listen to. The strings are just laden with emotion, and Madonna delivers a lamenting vocal performance that warrants her position as the undisputed queen of pop.
78. Slither: Velvet Revolver- Contraband (2004)-This song’s definitely got a healthy dose of attitude. It really gives you an idea of how great GNR could’ve been without that no talent Axl Rose ruining their songs with his god awful histrionics. Even with Slash and the rest of the boys being a bit past their prime, the very capable Scott Weiland helps this song rock harder than GNR ever did. Some of the best riffing of the 21st cetury is punctuated by Weiland’s trademark cool as the other side of the pillow vocals.
79. Use It: New Pornographers- Twin Cinema (2005)-Somehow when I first heard this album, the only song that stood out was “Bleeding Hearts Show.” While I still adore that song, time has revealed several hidden treasures in this terrific album, with this song blossoming into the cream of the crop. “Use it” has such a tender, light hearted, euphoric feel too it. Whenever I hear it, it reminds me of being head over heals in love. The New Pornographers are a rare example of a supergroup being better than the sum of its parts.
80. Find the River: R.E.M.- Automatic for the People (1992)- A critically underrated song, both within RE.M.’s catalogue and in alternative rock in general. A deliberate, bittersweet folk song that drips with emotion, and always puts me into a pensive mood (even if it’s often for no apparent reason). “Find the River” always reminded me of a more poignant version of “Drive,” but always felt more effortless and natural It has the almost unbelievable, dualistic ability to make you feel hopeful while almost driving you to tears.
81. Obstacle 1: Interpol- Turn on the Bright Lights (2002)- Many people’s favorite Interpol song, it sits just outside the top five in my book. Yet, somehow, sixth place to the likes of “NARC,” “Slow Hands,” and the others just doesn’t seem so bad. Indeed, it still speaks volumes about it’s quality. We all know what makes this song special- it’s that throbbing bass line that obviously never learned how to play nice with the other kids. Carlos D’s bass simply takes charge, often relegating lead guitarist Daniel Kessler to playing second fiddle.
82. Jesus Etc.: Wilco- Yankee Hotel Foxtrot (2002)- As a fairly recent convert into the wide world of indie rock, I admitedly didn’t fall in love with this song until last year. This is a surprise pick for me both because I’m not the biggest Wilco fan and because I usually gag at anything with even a glimmer of country influence in it. Something about this one though. True story- I’ve actually played this song 180 times in the past three months or so. The delicate melody just gets better and better as you uncover new subtleties in this sleek, sexy classic with each listen.
83. Soma: Smashing Pumpkins- Siamese Dream (1993)- Just textbook Pumpkins, “Soma” lulls you to sleep while sneaking off to pull the fire alarm. Meanwhile they unravel an enchanting gem that leisurly spends three and a half minutes climbing towards its epic crescendo. An inattentive listener will easily let this marvel slip through his/her fingers, as this song is not as immediately gratifying as a lot of the Pumpkins’ material. You keep at it though, and you will have a new favorite song off the immortal Siamese Dream album.
84. Santa Monica: Everclear- Sparkle & Fade (1995)-The odds were certainly against Art Alexakis. We all know his story; an aging, druggy whigger who unfortunately will be remembered most for his ostentatious hair color rather than the surprisingly powerful music he made. Though not nearly as good of an album as So much for the After Glow, “Santa Monica” propelled Sparkle & Fade into one of the first successes of Art’s life. A timeless guitar riff and jaded vocals tell the story about one of the many people that screwed Art over.
85. A Long December: Counting Crows- Recovering the Satellites (1996)- Be it the heartfelt live version, or the one off of Recovering the Satellites, this song is a jawdropper. Adam Duritz combines moving vocals and poetic lyrics to create an unbelievably nostalgic and ponderous take on everyday life. Using all his usual equipment (a prominent piano, an accordian, and his profound, emotive voice), Duritz takes aim at the ephemeral nature of life, while countering that by reminding us about the permanence and importance of memories.
86. Summersong: The Decemberists- The Crane Wife (2006)-Pure, classy indie-pop paradise is showcased in this delicate ditty by the Decemberists. Keeping in line with their borderline unhealthy obsession with bodies of water, the band creates this warm chanson that makes you recall the last time you wasted a summer day just laying around on a boat. What sets this song apart is that Colin Meloy sets his often onerous vocabulary aside and instead uses his sharp, melodic propensity take control of the ship (I had to), creating one of the most sugary sweet, beautiful songs of the decade.
87. Hit That: Offspring- Splinter (2003)-Quite a contrast to the sheer beauty of the last song, “Hit That” would spit in Colin Meloy’s erudite, prettyboy face, flick him off, and then slug him in the nose. It basically has the sophistication of a crack whore on the streets of Detroit. “Hit That” is unabashedly crude, hedonistic, and irresponsible, and therein lies it’s, uh, beauty? It’s definitely Offspring at their best, and about as much fun and exhilerating as having sex in a lighted motel pool at night (not that I would know!).
88. Mayonaise: Smashing Pumpkins- Siamese Dream (1993)-“Fool enough to almost be it/ Cool enough to not quite see it/ Doomed/ Pick your pockets full of sorrow/ And run away with me tomorrow/ June.” Sometimes a song’s incredible lyrics are a better show of greatness than any foolish words that I can jumble together. “Mayonaise” reminds you of the days when Billy Corgan was one of the elite minds of rock and roll. A day before he made stunningly bad songs called “That’s the way my Love is” and “Death from Above.” An emotional, psychadelic epic for the ages.
89. Drops of Jupiter: Train- Drops of Jupiter (2001)-Adult comtemporary songs don’t ever elicit words like “thoughtful” and “heart-wrenching.” This song goes way above the haphazard moniker that many overzealous critics dumped on it. Maybe I just like it because it reminds me of a very profound time in my life; but after seven years of nearly constant listening I tend to doubt it. I like to think that it’s mainly the enduring lyrics and the agile, dramatic strings that makes this song both unexpectedly tenacious and persistently gut wrenching.
90. Only Shallow: My Bloody Valentine- Loveless (1991)-Had you worried you say? You didn’t think I’d forget “Only Shallow” did ya? I admitted earlier that I have fallen hard for indie rock in the last couple years. That said, it would be criminally negligent to forget to note the song that many a critic and hipster call the magnum opus of indie rock. The smooth, androgynous whispers of Kevin Shields and Bilinda Butler, float lightly upon piercing shoegaze guitars. It’s just heavenly. The only thing that bests my love for this song is my respect for it.
91. Broken Chairs: Built to Spill- Keep it Like a Secret (1999)-“Broken Chairs” is another recent addition to this list, breaking into my top 100 on the last edit on this list. Unfortunately it displaced what would have been the 11th Alice in Chains track (I know you all are heartbroken). Still, no hard feeling towards this lumbering, wistful giant. With all the light-footedness of a Tyrannosaurus Rex, “Broken Chairs” plods its way through nearly nine minutes of somber, innovative guitar and cryptic musings by Doug Martsch. Martsch’s excellent vocals accomplish what J Mascis could never do for his band- sing well.
92. Streets of Philadelphia: Bruce Springsteen- Philadelphia Soundtrack (1993)-I know it’s gonna cause hysteria among fans of the Boss (a group I do not really belong to), but this is my favorite song by Bruce. Although the Americana of songs like “Glory Days” and “Hungry Heart” won him many a hardworking fan, “Streets of Philadelphia” gave him the hearts of more casual listeners such as myself. While it ditches much of Springsteen’s signature sound it shows the growth and variety the old bastard never dared to try before. The fact that I love the movie this song was featured in also helps its standing a tad.
93. Interstate Love Song: Stone Temple Pilots- Purple (1994)-I’m really glad that STP made Purple. While it’s not likely that Core will be joining the television or the internet as the most earth shattering innovations of the 90s. It was still quite good. However the innovative Purple provides me with plenty of amunition to disprove snotty remarks about STP’s perceived derivative nature. While not surpassing Core in raw catchiness, Purple showcased the bands range and growth. The dingy “Interstate Love Song” is a tad better than “Unglued” and is essential music for any road trip.
94. Rebellion: Arcade Fire- Funeral (2004)-“Rebellion” contains the youthful exhuberance of most Arcade Fire songs but with a lot more mass appeal. If you’re into listening to music during appropriate seasons, this one screams spring/summer just like most of their material. With it’s upbeat sound and party ‘til you drop message it also makes for a great party anthem (also true for a lot of Arcade Fire’s material). It’s also not as overwrought as certain Arcade Fire songs tend to get (i.e. “Crown of Love”).
95. Last Remaining Light: Audioslave- Audioslave (2002)-In retrospect, Audioslave really was good band. Like many of their supergroup counterparts (Velvet Revolver comes to mind) they just couldn’t quite reach the magnitude of their original bands. Audioslave’s eponymous debut was filled with 5 or 6 very good songs and this song, which in my mind is quite legendary. A slow and seductive ballad, Tom Morello surprises with a very pensive guitar while Chris Cornell provides characteristically urgent and anthemic vocals.
96. Mmm Mmm Mmm Mmm: Crash Test Dummies- God Shuffled his Feet (1993)-To most of you this is merely a novelty song. Perhaps I was the only one that didn’t forget about this song after a few months. Featured on the wonderful “Dumb and Dumber” soundtrack, the quality of this song merits more than the ‘flash in the pan’ treatment that it received. I love the dichotomy between the nonsensical lyrics and the profound, almost cathartic sound. If nothing else, most people can agree that Brad Roberts has some of the most unique vocals you will ever hear in rock.
97. In my Place: Coldplay- A Rush of Blood to the Head (2002)-When Coldplay isn’t busy recreating its back catalogue, they periodically stumble onto greatness. A Rush of Blood to the Head had several such moments. None of which rivaled the masterpiece of “In my Place.” Riding Chris Martin’s characteristically soulful delivery, “In my Place” simply dazzles from its onset. Also noteworthy is the fact that the song features what is perhaps the most memorable alternative rock guitar riff of the 21st century. Odds are that the increasingly mediocre band will never come close to anything this good again.
98. In the Meantime: Spacehog- Resident Alien (1995)-“In the Meantime” is reserved, pensive, and hopeful psychadelic song which never quite rocks out, but stays unbelievably catchy throughout. Another song which just always puts me in a good mood and makes for a very relaxing listen. Spacehog never quite wiggled their way out of the muddled ranks of second rate alternative rock bands. They will have the distinction of many a 90s rock band- one hit wonder. No worries boys, at least the song is really good.
99. Sex and Candy: Marcy Playground- Marcy Playground (1997)-Unlike, Spacehog, Marcy Playground was unfairly labelled a one hit wonder. Yes, “Sex and Candy” is their best song, but there are plenty of others, including the fantastic “Saint Joe on the School Bus.” I know a ton of people who cringe at the mere thought of this song. Most of them are remedial (just kidding guys). Luckily this song is no longer quite as ubiqutious as it was in the last 90s. If you haven’t heard this song in a while, turn it on and see just how fresh it sounds after a much needed hiatus.
100. Self Esteem: Offspring- Smash (1994)-One of the ‘smash’ singles from the highest selling independently released album of all time. Kind of reminds me of the male version of Alanis’s “You Ought to Know.” Unlike that song, which describes a resolute and strong character, the narrator in “Self Esteem” is spineless and desperate. Sorta tells you the difference between men and women. I feel like I know dozens of men whose relationships remind me of this guy’s. The buzzsaw guitars and Dexter’s patented sing-scream just seal the deal on a classic 90s rock song.
UPDATED 4/19/08
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Greatest Songs 
